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Zheng Mahler

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Formed by artist Royce Ng and anthrozoologist Daisy Bisenieks, Zheng Mahler (est. 2009, based on Lantau Island, Hong Kong) create digital media, objects, and performance works, grounding their practice in long-term, research-based projects. Examining the broader interactions between nature and technology, Zheng Mahler engage in speculative encounters and interspecies empathy, with a focus on more than human experiences. Their long-term tripartite research project into various inhabitants of Lantau Island, known as the “Lantau Trilogy,” challenges our human-centric understanding of consciousness by positing what it is like to live, feel, and sense the world as water buffaloes, bats, and fungi.

Zheng Mahler have shown work at major institutions, including M+ (Hong Kong); Hammer Museum (Los Angeles); M HKA (Antwerp); Ilmin Museum (Seoul); KW Institute for Contemporary Art (Berlin); Kunsthalle Mainz (Mainz); Institut für Auslandsbeziehungen (IFA) (Germany); Johann Jacobs Museum (Zurich); Akademie der Künste der Welt (Cologne); Para Site (Hong Kong); Tai Kwun Contemporary (Hong Kong); Singapore Art Museum (Singapore), Macalline Art Center (Beijing); UCCA Dune (Beidaihe), and West Bund Museum (Shanghai). Commissions and projects for biennials and festivals include those for the Klima Biennale Wien 2026; Thailand Biennale 2025; Helsinki Biennial 2023; 13th Seoul Mediacity Biennale; Performa 15; and the 13th Shanghai Biennale.

Their work is in the collections of M+ (Hong Kong), IFA (Germany), Fosun Foundation (Shanghai), Cc Foundation (Shanghai), Meta Media (Shanghai), Living Collection (Hong Kong), Museum für Kunst und Gewerbe (Hamburg), Johann Jacobs Museum (Zurich), and more.

Installation view of "Soilspace," in Helsinki for the Helsinki Biennial, 2023. Photo by Sonja Hyytiäinen. Courtesy HAM/Helsinki Biennial.

Installation view of "Nostalgia Machines" (2019) at "Phantom Plane, Cyberpunk in the Year of the Future," Tai Kwun Contemporary, 2019.

Installation view of Zheng Mahler's Seagrass Kra Chang (2025) at Thailand Biennale, Phuket, 2025.

Documentation of Zheng Mahler’s terrarium prototype and research for “Mushroom Clouds.” Courtesy the artist and PHD Group.

Dissolution into a Roaring Vastness (detail)


2023

Screen print on Jingdezhen
porcelain tiles, pine wood frame

121 x 121 cm


Zheng Mahler, Pleurotus Ostreatus (Oyster Mushroom), 2025, graphite on watercolor paper, 29.7 x 42 cm; 48 x 66.5 x 6 cm (with frame)

Installation view of "What is it like to be a (virtual) bat?" at PHD Group, 2023.


Installation view of "The Master Algorithm"
(2019) at "Phantom Plane, Cyberpunk in the Year of the Future," Tai Kwun Contemporary, 2019.

A Season in Shell (2013-2016), red sea abalone calcium carbonate glazed porcelain dinner set, table, chairs, 2-channel video installation, dimensions variable. Photo by Royce Ng. Courtesy the artists and Property Holdings Development Group, Hong Kong.

Zheng Mahler, Seagrass Kra Chang (detail), 2025, two-channel video with sound, two batik murals, stainless steel and pvc seagrass protection pens, dimensions variable. Commissioned by Thailand Biennale, Phuket 2025.

A Season in Shell (2013-2016), red sea abalone calcium carbonate glazed porcelain dinner set, table, chairs, 2-channel video installation, dimensions variable. Installation view at the 13th Shanghai Biennial. Courtesy the artists and Shanghai Biennial.

Research image of Bubalus bubalis 16-40,000Hz (2021). Photo by Daisy Bisenieks.

Zheng Mahler, A Mischievous Mushroom (still), AI-generated video of Gymnopilus aeruginosus from The Twenty-Three Thousand Sexes of Schizophyllum Commune and Other Stories, 2026.

What is it like to be a (virtual) bat?
Phase III/IV – Bat Meditation
(still)

2022-23

4K video with color and sound:
16 min 43 sec



What is it like to be a (virtual) bat? Phase II – Point Cloud Visualization

2022

4K point cloud animation with thermal videos and ultrasonic field recordings: 8 min 43 sec

Zheng Mahler, Mountains of Gold and Silver Are Not as Good as Mountains of Blue and Green, 2020, 10 hologram fans, four large porcelain pots, dimensions variable

The Green Crab: A Diagram of Auspicious Spatial Organization (Bras Basah Rd) (2022), digital print on vinyl, 86000 x 5000mm. Courtesy the artists and Singapore Museum of Art.

The Green Crab: A Diagram of Auspicious Spatial Organization (Queens Street) (2022), digital print on vinyl, 36800 x 5000mm. Courtesy the artists and Singapore Museum of Art.

Zheng Mahler, Amanita Farinosa, 2025, graphite on watercolor paper, 29.7 x 42 cm; 48 x 66.5 x 6 cm (with frame)

The Master Algorithm
2019
Nine holographic ventilators, Bluetooth sound, 3D animation: 15 min 24 sec
Dimensions variable

Created in collaboration with You Mi; musical score by John Bartley and Gordon Mathews.

Installation view of Bubalus bubalis 16-40,000Hz (2021) at Para Site, Hong Kong, 2021. Photo by Daisy Bisenieks.

Mountains of Gold and Silver are not as Good as Mountains of Blue and Green
2020
Jingdezhen bisque porcelain vases, 3D holographic fans, 3D animations, sound

Installation view of Bubalus bubalis 16-40,000Hz (2021) at Para Site, Hong Kong, 2021. Photo by Samson Cheung Choi Sang.

Zheng Mahler, A Mischievous Mushroom-Gymnopilus aeruginosus, 2026, coloured pencil on watercolour paper, 58 x 38.5 cm. Courtesy the artist and PHD Group. Photo by Felix SC Wong.

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